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龙行龘龘·巳巳如意｜2025年上海尚德实验学校教工迎新盛典_我的网站

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    A still from the movie Once Upon a Time in the Middle East starring Shen Teng Photo: ICYears after tackling social issues in the breakout hit film Dying to Survive, Chinese director Wen Muye returns with Once Upon a Time in the Middle East. The film opened nationwide in China on Tuesday, and, including advanced screenings, crossed 200 million yuan ($29.6 million) at the box office on its first day. 
It centers on an ordinary Chinese chef caught in the crossfire of war. Shen Teng stars as Xu Fu, a cook who travels to the fictional Middle Eastern capital of Bahata to repay family debts. There he joins forces with restaurant manager Ma Junsheng (actor Jiang Qiming) to run a Chinese eatery. When conflict erupts, the self-preserving every-man endures personal losses and gradually comes to protect local children. 
Produced by Ning Hao, the film continues Wen's signature focus on "little people," this time placing them far beyond China's borders.
In an interview with the Global Times, Wen talked about the project's connection to news reports of Chinese migrants who open restaurants overseas and forge quiet connections through food.
"Many Chinese people go abroad simply to make a living," he told the Global Times. "They open restaurants, use food to break down regional barriers, and form deep bonds with locals." 
The production team conducted extensive research and location scouting in the Middle East to capture everyday details. Elements such as free-running single-humped camels required overseas shoots; the resulting images of open space after confinement, Wen noted, carry a simple sense of hope.
Food functions as the film's central motif. 
"Food more often stands for happiness and peace," Wen explained. "Even in a war-torn environment, people still cannot do without three meals a day. That sounds basic, but after all the big things in life, what people care about most are the simplest things - eating a proper meal and taking care of family." 
A specialized food unit developed the dishes, and Shen trained extensively so that most of the wok-tossing sequences were performed by the actor himself, Wen said.
The film deliberately intercuts kitchen routines with combat sequences. 
"Three meals a day represent our longing for peaceful life, while war is the extreme act that destroys peaceful life on a large scale," Wen said. "When they collide, each becomes clearer: Food feels more ordered and full of happiness; war feels more chaotic and dark." 
He hopes the juxtaposition helps audiences recognize how hard-won ordinary peace really is.
Xu Fu's decision to shelter orphans never relies on lofty rhetoric, only a meal and a roof. Wen described this approach as rooted in a human-centered outlook rather than classic Western hero narratives. 
"We place more weight on humanism and the value of a person's existence. Our culture is about living well, studying well, eating well, and looking after children. No matter how large the events, three meals a day remain unavoidable. Food itself has warmth and can give people real strength when they are in a difficult situation," Wen said. 
The director noted that he wants viewers to leave with the plainest conviction: live properly, eat properly, and cherish the peace that exists in the present.
On balancing personal expression with commercial reach, Wen kept his principle simple: "Make the film well and tell the story well. I try to put what I want to express into foreshadowing and details without hurting the viewing experience. If audiences notice those details, I will be glad. If they do not, it does not affect the normal narrative."
From Dying to Survive and Miracle: Stupid Kid to the new film, Wen's view of human complexity has remained consistent. "People have many different sides. They face different circumstances and make different choices." 
The through-line, he added, is the same plain belief: "Being able to enjoy a proper meal is the greatest happiness."
Early audience response has been overwhelmingly positive. Advanced screenings delivered scores of 9.7-9.8 on major Chinese platforms including ticketing platform Maoyan. 
Many entered expecting a light Shen Teng comedy and left in tears, describing the experience as "laughing then crying." Shen's restrained performance has drawn particular praise, with some calling it the strongest of his career. Jiang's supporting work has also been widely noted.
Moviegoers have frequently highlighted the film's refusal to deliver speeches. Its focus on daily meals and small acts of care lands more powerfully than any slogan. 
On the depiction of the conflict, audiences observe that the movie offers a perspective that "flips the Hollywood script" by casting the US as the invader, while refusing to portray US soldiers as pure villains. Instead they appear as ordinary young men: loose in discipline and marked by the alienation of war.
Both Chinese and overseas viewers have singled out this measured approach as part of the film's distinctive Chinese viewpoint: It sidesteps both Western hero narratives and simple demonization. Some international comments note that by staying with ordinary lives rather than choosing geopolitical sides, the story offers a different lens on conflict.
One widely circulated comment from a popular Chinese self-media account on WeChat captured the film's ambition: "You can think of this film as a blend of Casablanca, Schindler's List, and The Shawshank Redemption, yet at its core lies the same grounded human compassion found in Dying to Survive. This is a highly successful attempt by Chinese filmmakers to surpass Hollywood. It is the first Chinese film that truly possesses a global vision and a professional sense of international storytelling. It is also a gift of warmth and goodwill from the Chinese people to a world still torn by war and cruelty."
。    恭          贺          新          年                              2025年1月13日，上海尚德实验学校沉浸在一片喜庆的节日氛围中，随着尚德大会堂的大门缓缓开启，“龙行龘龘·巳巳如意”2025年教工迎新盛典正式拉开帷幕！                    新年贺词          温情传递          蛇年大吉          新          年          快          乐          蛇来运转          尚德教育投资发展有限公司董事长、上海尚德实验学校校长姜晓勇发表了饱含深情的新年贺词。

二 | 他深情回顾了过去一年的辉煌成就，展望了尚德未来的宏伟蓝图，并激励全体教职工携手并进，为尚德的明天添砖加瓦。随后，姜校长与各部校长、园长一同走上前台，亲手为每位教职工送上红包，传递着领导们的深切关怀与美好祝愿。                                       才艺盛宴          璀璨绽放          活动中，各部门的教职工们纷纷登台，各展风采。         诗 意 盎 然          学校党委与工会选送的诗朗诵《祖国啊》，以其深情的演绎和激昂的语调，赢得了在场师生的热烈掌声。         该节目在2024年浦东新区教工诵读大赛中荣获民办学校组“最美表演奖”，展现了尚德人的文化底蕴与爱国情怀。                   动 感 开 场          初中部师生带来的开场舞《五“鼓”丰登》，以欢快的节奏和动感的舞姿，瞬间点燃了现场的热情，预祝尚德在新的一年里五谷丰登、硕果累累。                   国 际 风 情          美日高中部的老师们以一首悠扬动听的英文歌曲《Just The Way You Are》，为活动增添了一抹国际化的色彩，展现了尚德人的开放与包容。                   太 极 风 采          工会的《太极“舞”》表演，将中华武术的韵味与风采展现得淋漓尽致，让观众们领略到了太极文化的博大精深。                   敦 煌 遗 韵          航小的《吉祥天鼓》节目，融合了敦煌文化的神秘与现代打击乐的激情，展现了中华民族深厚的文化底蕴和艺术魅力。                   回 忆 共 鸣          高中部的歌曲《有没有一首歌会让你想起我》，用旋律锁住时光，唤起了大家共同的回忆，让人沉醉其中。                   融 合 创 新          融合部的教师版《APT》，以才华与热情点亮了在尚德的每一个瞬间，将现场气氛推向了高潮。                   欢 乐 无 限          幼儿园带来的《新年就是要HAPPY》，以欢快的节奏和活泼的表演，为活动增添了无尽的欢乐与喜庆。                                                 幸 福 绕 梁          小学部的歌舞《新年幸福绕》，以欢快的旋律和甜美的歌声，传递着新年的祝福与幸福。                   灵蛇献瑞          惊喜不断          抽奖环节作为活动的重头戏，让每一位教职工都充满了期待。

三 | 今年的抽奖依然分为奖品类和现金类，抽奖方式新颖有趣，通过“灵蛇贺岁拍拍拍”、“银蛇献瑞拍拍拍”、“金蛇纳福拍拍拍”和“祥蛇送喜拍拍拍”等环节，让现场气氛高潮迭起。                             灵蛇贺岁                    银蛇献瑞                    金蛇纳福                    祥蛇送喜                    最终，激动人心的现金大奖抽奖环节揭晓了获奖部门，通过“一蛇转乾坤 巳巳如意”的方式，6个部门的负责人共同揭开了现金大奖的神秘面纱，为活动画上了圆满的句号。                   展望未来          共创辉煌          自强不息          新          年          快          乐          接续奋斗          此次迎新盛典不仅展示了尚德教职工们的多才多艺和团结协作精神，更为新的一年注入了新的活力和动力。尚德人将继续秉持“自强不息、接续奋斗”的精神，向着更高的目标迈进！在此，我们衷心祝愿上海尚德实验学校在新的一年里蒸蒸日上、再创辉煌！祝愿全体教职工身体健康、工作顺利、家庭幸福！。

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Published on:07:25:37